TRUE HOUSE STORIES W/ HARRY ROMERO # 086 - PART 2
Harry Romero, aka Harry “Choo Choo” Romero is nicknamed from his mom as he use to always wear a baseball cap with a train on it. In this part Harry dives in and explains his work habits and how is his career took off early from just being a neighborhood DJ to a successful international DJ/Producer. He has now three decades of experience and success. He explains the importance of his family life and how simple things where in the beginning of his musical career and what it takes to be on top of the game and stay relevant. You can find him playing all over the world. A great interview by New Jersey’s Finest who said he has more to say so watch out for his news and releases.

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TRUE HOUSE STORIES W/ MAN PARRISHDJ MEME # 085 - PART 1
Man Parrish talks about his early beginnings from being an adopted kid living in Brooklyn to beginning to find his way into music. Parrish is a native New Yorker] of Italian descent. He attended the High School for the Performing Arts and the Academy for Dramatic Arts (NYC) as a teenager. He moonlighted as a non singing, onstage "extra" role in several operas at the Metropolitan Opera House in Manhattan. Parrish left home at the age of 14 and was a member of the extended family that converged nightly at Studio 54, Anvil and other night spots around NYC. His nickname, Man, first appeared in Andy Warhol's Interview magazine. Andy Warhol gave him the name "Man". His early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers.

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TRUE HOUSE STORIES W/ MAN PARRISH # 085 - PART 2
Man Parrish first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which has later been featured in the video game Grand Theft Auto, which sold millions of copies. It was sampled in Sway & King Tech's 1991 song "Follow 4 Now", from their second album, Concrete Jungle. His biggest chart success in the UK was his recording of "Male Stripper” under the artist name Man 2 Man, which peaked at No. 4 in the UK Singles Chart. He eventually signed with Elektra Records via David Bowie's manager Tony Defries who also managed his music career, but was dropped from the label in 1984, when they decided not to release the album he had recorded for them. Elektra signed him for dance music, his manager wanted him to create pop-rock. Man Parrish has mixed, produced and worked with various artists such as Boy George, Michael Jackson and Cyndi Lauper. He later served as the road manager for the Village People and Crystal Waters. In 2010s, Parrish was in negotiations with Pink Biscuit Records and was scheduled to release a record via Southern Fried Records, the label owned by Fatboy Slim. Parrish started his own label instead. From 2000 to 2015, he created the longest running underground New York City club party, at the CockBar called Sperm. In 2018, three pieces of his musical works were accepted into the Museum of Modern Art’s MOMA permanent collection in New York City. Film scores for Behive, (a modern dance film), The Jones's, (an indie art film) and his 1983 music video for "Hip Hop, Be Bop (Don't Stop)".In 2018, he also did a sound performance – installation for MOMA PS 1 titled The Box, asking the question: Is Sound Considered Art?

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TRUE HOUSE STORIES W/ DJ MEME # 084 - PART 1
Dj Meme who real name is Marcello Mansur born and raised in Rio de Janeiro Brazil began to DJ at age 11 and started remixing in 1986. He began his journey working at a Radio Station editing commercials and adding the music to the station. He somehow was able to persuade the Brazilian Record labels to try him out for a remix. Well, the rest was history his remix was added on every station in Brazil and from there overnight DJ Meme was household name in the Brazilian Dance Pop Market. He speaks about his production style and how he began from Disco to beyond.

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TRUE HOUSE STORIES W/ DJ MEME # 084 - PART 2
Dj Meme talks about his global international appeal in the house world. How he was able to persuade Defected Records to let him remix the single Fish Go Deep feat Tracy K. This is now how he creates the DJ Meme Orchestra Sound. The Remix for Defected does the business with the Dj’s around the globe and his name is heard and spoken everywhere. His first international DJ gig was in Hamburg at the Famous Betty Ford Clinic. Once he gets a taste of traveling it does not stop, he pushes and creates new relationships with all the names in house music. He recollects his time with Manager Judy Weinstein of Def Mix Productions and his close friendship with Frankie Knuckles. Dj Meme is a true icon and has produced huge hits and helped create a lot of stars with his music. He is known as “Mr. Midas Touch” Everything he touches turns to Gold…

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TRUE HOUSE STORIES W/ JOE CAUSI # 083 - PART 1
“Brooklyn's Own” Joe Causi is among New York's legendary disc jockeys. He has been a staple in New York radio since the late 1970’s. Raised in Bensonhurst, Brooklyn, Causi can truly claim to be one of 'Brooklyn's Own. ' He takes what his hometown has given him from the street and shares it with his radio audience. Come listen to how it all began for him on Disco 92 WKTU FM and the birth of disco. He is currently on the air on New York Radio in WCBS Fm 101.1 He will give you the ins and outs of what it takes to make it.

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TRUE HOUSE STORIES W/ JOE CAUSI # 083 - PART 2
Joe Causi talks about his time on the number one radio station in the number one market in the country. Disco 92 WKTU-FM with its big disco sound and stellar array of air personalities. As the momentum changes and the backlash to disco and the change to the format the station starts to slide down with its ratings forcing it to close. Joe take us on the inside trek of the stations short life and what happened after it all ended. Even the best artists and DJ's in their career experience life changing moments and sometimes find themselves out of work and not by choice. Listen to Joe talk about what he needed to do to get himself back on the air waves and reinvent himself. Today you can hear his golden voice on WCBS 101.1FM New York during the week in the evenings, and with over 40 years experience under his belt you will understand why he is one of the best in the radio business.

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TRUE HOUSE STORIES W/ JOE SMOOTH # 082 - PART 1
Joe Smooth was a self-taught musician and started creating original music at the age of 12. During his teenage years, he began to make a name for himself as a DJ in the underground Chicago House Music scene. He is credited as essential to the creation of house music as a genre and the revival of the culture surrounding it. During his 20s he became an essential DJ for any viable club in Chicago. Smooth gained international acclaim with the release of his late 1980s tracks “Promise LAnd" (featuring Anthony Thomas), "They Want to be Free," and "I Try.” He is best known for "Promised Land," which spoke of how humans, as brothers and sisters, should unite in love and thrive in paradise. Joe Smooth's song has been covered several times and is still played today. Originally released in 1987, it peaked at No. 56 in the UK singles Chart in February 1989, following the Top 40 success of a cover version by The Style Council. An album of the same title became available in 1988, and a music video was produced for the single. A follow-up album, Rejoice, was released in 1990, which featured the hit single "They Want to be Free.”

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TRUE HOUSE STORIES W/ JOE SMOOTH # 082 - PART 2
Joe Smooth helped influence a decade of house and dance music elements in mainstream pop throughout the 1990s. By the new millennium he was approached to work with many pop, R&B, and other genre icons such as Destiny's Child, Whitney Houston, and Cisqo. In October 2004, "Promised Land" appeared in the video game Grand Theft Auto San Andreas. Within the game, the song could be heard playing on the fictional House Music radio station SF-UR. He later launched his own record label Indie Art Music. The label has recently announced an upcoming song with Benny Benassi and other notable producers and artists. Indie Art Music set out with the goal of creating mainstream music in all genres with the ability to distribute, market, publish, and produce all within one single company. While the focus is on mainstream areas of the industry, Indie Art Music is currently developing and working with new artists like Amy DB of Chicago, Greg Tanoose of Austin, among others. He continues to work with his label as the CEO, manager, and executive producer, while still releasing music of his own. Smooth is a musician and producer, who has worked as a remixer, producer, engineer, and writer. He has earned gold and platinum record awards for his work, work behind the scenes with Grammy award-winning artists. Notable artists he has worked with include Bros, Whitney Houston, Donnell Jones, Destiny’s Child, Sisqo, Frankie Knuckles, Marshall Jefferson, A Guy Called Gerald, Lil Louis, D'Bora, Tyree Cooper, Fast Eddie, Fingers Inc., Art Of Noise, Sterling Void, Pet Shop Boys, Janet Jackson, The Style Council, New Order, and Steve Hurley. He launched a new record label in 2015, Indie Art Music, and has topped digital charts Traxsource and Beatport for song sales.

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TRUE HOUSE STORIES W/ DAVE BEER # 081 - PART 1
The man behind the iconic brand Back 2 Basics speaks about his life from quitting high school and becoming a roadie. Come listen to one of the greatest promoters from the 1990s golden era of house music lay it all out on his rise to fame and being part of the New York City Club scene. His vision was to take a part of the New York Club scene and import into the UK and he did it and very well at that. Beer's obsession with the punk-music scene saw him become a groupie, hitching up with punk band The Clash. As a keen Photographer, he captured many exclusive shots of the bands he followed incorporating them into art projects at college. His persistence on the tour circuit led to his first proper role as a roadie and later as tour manager for bands including That Petrol Emotion, The Ramones, Ghost Dance, The Utah Saints, and The Sisters of Mercy who he lived with at the time. During a spell with Stourbridge noisemeisters, Pop Will Eat Itself, Beer found himself working on the 1987 Def Jam Records tour that included Public Enemy, Ll Cool J and Run - D.M.C., but life as a tour manager would soon takes its toll.

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TRUE HOUSE STORIES W/ DAVE BEER # 081 - PART 2
In this episode you will hear Dave Beer explain the faced post-warehouse party world with the DIY ethos of a punk direction helping to create Back To Basics in 1991 which it was named literally to represent what the club was set out to do. Partners Beer and Alistair grew tired of the acid house scene and wanted to put on parties, where alternative music to the rave scene was played. Through Back To Basics, they made club nights fashionable, and throughout the 1990s it was one of the most desirable places to go, causing road blocks in Leeds city centre. At the time, Back to Basics had a strict, sometimes controversial and inconsistent door policy which made it one of the hardest clubs to get into. Beer personally greeted all 80 clubbers on the opening night and those who were refused entry due to their dummy sucking or poor choice of trainers were encouraged to try harder next time. Its opening night was held on the top floor of The Chocolate Factory, which was later renamed, The Music Factory. Weeks two and three of Back To Basics saw the crowds double in size until it was attracting 1,000 clubbers every week. By Nov 1992 at the end of its first year, Dave and Alistair found themselves on stage at the Royal Albert Hall, looking out to a packed auditorium as they picked up the DMC and Mixmag Award for Best Club in the UK. Over the next 20 years from 1991 to the present day, Beer toured Back To Basics all over the world from Australia to the USA and held club residencies at Home London, and Space Ibiza. He was responsible for nurturing and discovering the talent of Daft Punk, Basement Jaxx and Groove Armada giving them some of their first gigs as unknown artists. Beer was also responsible for bringing international talent into the UK for the first-time including Danny Tenaglia, Doc Martin, Josh Wink and Frankie Knuckles. Back To Basics holds numerous awards from the music and events industry and has gained worldwide recognition thanks to its forward-thinking music policy and loyal following. Today it is considered a "household name" in UK clubbing and Beer continues to be "the life and soul" of the Basics party. Listen to breakdown the next 20 years in this episode.

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TRUE HOUSE STORIES W/ MIKE DUNN # 080 - PART 1
Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks. “I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live.

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TRUE HOUSE STORIES W/ MIKE DUNN # 080 - PART 2
Word soon spread about his talents and Mike Dunn was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, sometimes under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1. He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few. Puff Daddy in the late1990s stepped to Mike and signed him to a production deal with the artists he managed and produced in hip hop artists. Listen to Mike break the P Diddy Story down and take you to the future.

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TRUE HOUSE STORIES W/ KEN WALKER AKA KEN@WORK # 079 - PART 1
Ken@Work is the alias of Melbourne DJ & Producer Ken Walker. Ken shares with us his beginnings from starting in grade school as a disco DJ. His first chance of playing music for a crowd was when his school had a dance and he was put to the task to spin the music. He finds a nitch with a South African DJ living in Melbourne that had all the new promos from USA. This is how he figures out what direction of music he is going to play and how to mix it. He then is working as a stage hand on the live circuit around Australia and this is the first taste where he works with bands from USA, and Europe.

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